It will all work fine in the calm of your living room. The filter thread is set inside the hood and getting your fingers in to unscrew the filter is the very definition of fiddly. However, you may not even get that far, because removing the filter from the hood is the devil’s own job. The first is Nikon’s own 112mm polariser, which is too deep to stack another filter on top without vignetting at 14mm. The filter hood will fit most pouches designed to hold 100mm square system filters.īut there’s still a problem if you’re a landscape photographer, because we need to be able to use polarising and neutral density filters, sometimes in combination. Simply leave the filter attached to the hood and the whole assembly clips on and off the lens in a matter of seconds. This actually works very well for a single filter like a polariser. They provide a dedicated lens hood that incorporates a 112mm filter thread. Nikon’s solution to this problem is actually very elegant. The ‘standard’ filter size of the new lens is a whopping 112mm. This is a huge advantage for landscape photographers. The new Z-mount lens lacks the bulbous front element of its F-mount predecessor, so it can take standard threaded filters. I’ve been shooting with this lens for a few weeks now and the optical quality is spectacular. Now they have done the same for Nikon’s new Z 2.8/14-24 S lens. Kase continues to innovate and expand its product range, responding to demanding ultra wide-angle lenses like Nikon’s Z 4/14-30 S with a range of larger 95mm diameter magnetic filters. Smaller, lighter and quicker than any threaded system, in my opinion there is no better filter system on the market today. The Kase magnetic filter system is one of those products. Every now and then a product comes along that’s so simple, but works so perfectly, you wonder why no-one thought of it before. I’ve been using the Kase magnetic circular filters for a while now. Every landscape photographer needs at least a polariser and a three or six stop neutral density filter in their bag.
Not everyone uses graduated filters anymore, but the effect of polarising and neutral density filters can’t easily be replicated in imaging software. Filters have always been essential in landscape photography. I’ve been a landscape photographer for over twenty years now, both as a professional and enthusiast. Get filter ready for the new Nikkor Z 14-24mm f/2.8 lens
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